Karaoke

Karaoke ( a portmanteau of Japanese kara "empty," and okesutora "orchestra")[1](English pronunciation: /; Japanese: [ka?ao?ke] ( listen)) is a form of interactive entertainment or video game in which amateur singers sing along with recorded music (and/or a music video) using a microphone and public address system. The music is typically a well-known pop song minus the lead vocal. Lyrics are usually displayed on a video screen, along with a moving symbol or changing color and/or music video images, to guide the singer. In some countries, a karaoke box is called a KTV. Due to its English pronunciation, it is sometimes incorrectly spelled "kareoke". It is also a term used by recording engineers translated as "empty track" meaning there is no vocal track.

The concept of creating studio recordings that lack the lead vocal has been around for probably nearly as long as recording itself. Many artists, amateur and professional, perform in situations where a full band/orchestra is either logistically or financially impractical and so they use a "karaoke" recording, but they are actually the original artists. (This is not to be confused with "lip synching" in which a performer mimes to a previously produced studio recording with the lead vocal intact.)

1960s: Development of audio-visual-recording devices
From 1961–1966, the American TV network NBC carried a karaoke-like series, Sing Along with Mitch, featuring host Mitch Miller and a chorus with the lyrics to their songs superimposed near the bottom of the TV screen for home audience participation.[2]

In fact, the concept of 'sing along' music should have been considered the precursor of the karaoke music. In the late 1960s well into the 1970s, storage of audible materials started to dominate the music recording era and revolutionized the portability and ease of use of band and instrumental music by musicians and entertainers as the demand for entertainers increased globally. This may have been attributable to the introduction of music cassette tapes, something that resulted from the demand of customizing one's music recording and the 'handiness' and 'duplicability' of one's music in a faster, convenient way to match entertainers' lifestyle and 'footlooseness' nature of the entertainment industry.

Filipino musicians and entertainers started to influx Japan and becoming increasingly notable in 1967 with streams of singers coming into the country since then well into the 1970s bringing with them their music. With the innate characteristic of improvising gadgets at the most minimal costs, Filipinos would resort to solutions that would give greater result to generate revenue at a lesser cost of having a musical band and at a greater ingenuity such as the use of 'minus-one music', a sing-along musical accompaniment recorded on cassette tapes, that became very prevalent in the Philippines in the late 1960s to early 1980s. It was also during the first half of this era that 'minus-one music' was popular in the Philippines when it was synonymously termed 'multiplex music' recorded on cassette tapes where both a vocalized and non-vocalized instrumental-only versions of the same song were available. 'Minus-one music' could well have an influence on the production of a more complicated system in Japan that we now call 'karaoke' machine. Indeed, 'minus-one music' was actually first recorded by the use of cassette tape and not on a compact disc that came into existence several years after if we are to evaluate the claims associated with Roberto del Rosario's work.

1971: Development in Japan
There are various disputes about who first invented the name karaoke. One claim is that the karaoke styled machine was invented by Japanese musician Daisuke Inoue[3] in Kobe, Japan, in 1971.[4][5] After becoming popular in Japan, karaoke spread to East and Southeast Asia during the 1980s and subsequently to other parts of the world.

In Japan, it has long been common to provide musical entertainment at a dinner or a party. Japanese drummer Daisuke Inoue was asked by frequent guests in the Utagoe Kissa, where he performed, to provide a recording of his performance so that they could sing along on a company-sponsored vacation. Realizing the potential for the market, Inoue made a tape recorder that played a song for a 100-yen coin. Instead of giving his karaoke machines away, Inoue leased them out so that stores did not have to buy new songs on their own. Originally, it was considered a somewhat expensive fad, as it lacked the live atmosphere of a real performance and 500 yen in the 1970s was the price of two typical lunches, but it caught on as a popular entertainment. Karaoke machines were initially placed in restaurants and hotel rooms; soon, new businesses called karaoke boxes, with compartmented rooms, became popular. In 2004, Daisuke Inoue was awarded the tongue-in-cheek Ig Nobel Peace Prize for inventing karaoke, "thereby providing an entirely new way for people to learn to tolerate each other.